It's no secret that Northwave no longer manufactures consumer shoes at its headquarters in Treviso, Italy but that doesn't mean they don't make a number of select shoes in the original factory. We paid a visit to the heralded Italian footwear company on our way to this year's Giro d'Italia.
These days, the Treviso facility is mostly a collection of sales, marketing, design, and administrative offices plus a giant warehouse of production shoes for distribution to the European market. However, Northwave still maintains a single assembly line plus a full prototype and workshop to handle prototype work, experimental projects, and special shoes for sponsored athletes.
There are multiple racks of custom modified lasts on the production floor with seemingly every member of the Radioshack-Nissan team getting that extra special treatment to keep their feet happy day after day. Each set of lasts is marked with the rider's name and nominal size, all festooned with an assortment of tacked-on bits, filed-off edges, hand-shaped putty filler, and other modifications.
In case you've ever wondered, Andy Schleck wears a size 45 ½ and prefers an aggressive taper at the toes but more space at the base of his little toes. Chris Horner, on the other hand, wears a size 42 and likes a little extra breathing room around the ball and opposite side.
This single rack catalogs the foot shapes of the entire Radioshack-Nissan team
What about Andre Greipel (Lotto-Belisol)? He's a size 44 and like Horner, likes a roomier fit up front. Fabian Cancellara shares Schleck's numerical size but his shoes are narrower from the middle up – and so on, and so on.
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Custom options aren't just limited to fit. Since Northwave's on-site technicians aren't constrained by production specs, they can also mix and match different uppers and lowers – say, if someone wants an off-road outsole with a triathlon-specific upper or a pair of walkable podium shoes.
Supporting this work is a small group of craftspeople who still build shoes the old way, using scissors and a sewing machine, grinding wheels, glue, and a small army of old machines that look like they were dreamt up by H.R. Geiger.
That being said, there's an interesting juxtaposition of old and new throughout the building.
Current shoes are built with carbon composites and synthetic microfiber materials, covered with bright neon graphics while the paint on the machines used to form them is worn down to the metal from years of hands-on work. Custom uppers are constructed by one person in a small room, armed with a pair of scissors and a whirring sewing machine while the pattern pieces themselves are created with a computer-controlled leather cutting table.
There's a room filled with modern equipment for testing everything from shoe flex to zipper durability but save for a few small areas, there's seemingly no air conditioning. Carbon fiber plates are molded overseas by giant machines but the original shapes are cut by hand in Treviso out of foam and wood with blades and jeweler's files.
But hey, that's enough chit-chat. At this point, let's just have the images do the rest of the talking.