Behind the scenes at Paris-Roubaix: What it’s like to report on the most chaotic race of the year

Fred Wright at the finish of Paris Roubaix
(Image credit: Will Jones)

While my bread and butter here at Cyclingnews is the product testing side of things, I do get to sharpen my elbows and report on the pro racing every now and then. So far that experience is limited to the Tour of Flanders, the Criterium du Dauphine, and now Paris Roubaix. Something that keeps coming back to me is that the journalistic work that myself and my colleagues do seems to mirror the character of the racing we are covering. 

Flanders was solid, hard work but it wasn’t necessarily frantic, while the reporting at the Dauphine was positively light and breezy compared to how Roubaix felt. The Queen of the Classics is officially a one-day race (albeit twice, for the men and the women), but from my point of view, it was a three-day frenzy. 

Will Jones
Senior Tech Writer

Will joined the Cyclingnews team as a reviews writer in 2022, having previously written for Cyclist, BikeRadar and Advntr. He’s tried his hand at most cycling disciplines, from the standard mix of road, gravel, and mountain bike, to the more unusual like bike polo and tracklocross. He’s made his own bike frames, covered tech news from the biggest races on the planet, and published countless premium galleries thanks to his excellent photographic eye. Also, given he doesn’t ever ride indoors he’s become a real expert on foul-weather riding gear. His collection of bikes is a real smorgasbord, with everything from vintage-style steel tourers through to superlight flat bar hill climb machines.